Derren Brown: Trick of the Mind 2006
Those who have seen him on TV, or in his extraordinary live shows, know that Derren Brown is an astonishing, mesmerising, and utterly baffling talent. His brand of psychological illusion uses elements of magic, suggestion, psychology, misdirection and showmanship. Whether he appears to be reading peopleís minds, contacting the dead, guessing peopleís dreams, or telling them their detailed medical history just by looking at them the results seem to defy logic.
Yet whatís refreshing about Brown is his open and honest approach to what he does. He cheerfully reveals that he canít read peopleís minds or commune with the afterlife Ė his skill is to make it look like he can.
His most recent TV programme Derren Brown: The Heist was the most ambitious and challenging of Derrenís specials to date. Under the guise of a motivational seminar and a follow-up documentary, Derren set out to persuade a group of responsible, middle-management businessmen and women to steal £100.000 in an armed robbery and illustrated how little it takes to cross into deviant behaviour.
We all know what happened, but how did you come up with idea in the first place?
ďAs ever, these things come about by thinking what I'd personally like to see on TV. I'm finally having my TV removed and replaced by a tropical fish tank, which I hope will provide more interesting viewing. I've also always had a vague distaste for the cult of selfishness apotheosised through self-help seminars, which form the starting point for the show.Ē
Were you pleased with the reaction?
Yes, it was very well received. I felt it was the best thing Iíd done so far. The reaction I was most concerned about was that of the guys who actually went through with the robbery. It was very important to me that they were comfortable with their involvement. I had them come along to the screening before it was broadcast and they were really happy with it. That did mean a lot to me.
Some quarters found it offensive. How do you feel about the controversy that sometimes surrounds your work?
I take it as a signal that I must be doing something right.
You have a new series of TRICK OF THE MIND coming up. What can you tell us about it? How different is it to the previous series?
It follows the format of the previous series, only this time I get to go abroad. The first series was all in London, and then the next was across England, so it made sense to go world-wide for segments of this series. Of course I was very opposed to the idea of being handed any sort of exciting paid-for holiday and it was only with great reluctance that I suggested we go and film the US, in Venice, Vienna and Monte Carlo. Not sure where to go for the next series. ĎMoon Controlí, maybe. Also, the feel of the series is a little different: weíve shifted things away from the cool 60ís look of the previous shows to a darker 50ís tone. Has a more Hitchcocky feel, I suppose. I think it looks rather good. And it means I get to occasionally wear my trilby which Iím more than happy with.
Can you tell us what you do with your celebrity guests?
But one of them gets to bleed quite nastily and Matt Lucas is absolutely dumbfounded.
You've said that The Heist, to date, is the most challenging programme you've done. So what could you do to top it? Are there plans for another special?
There are certainly plans for another special at some point, but itís too soon after the last to decide yet. I tend to hide out for the latter half of each year making the shows and keeping off the screen. I donít think in terms of topping each project; I just try and make things which I find raise interesting questions and will be dramatic to watch.
Iím sure a lot of your fans are pleased that SOMETHING WICKED THIS WAY COMES is back on the road, but why did you decide to do it?
At the moment Iím working to the pattern of writing a new show every two years. Because the tour last year sold out pretty quickly, which is very nice, itís worth extending it to this year in cities which didnít get it last year.
There are some controversial moments in the show. What reactions did you get to them last time round?
There are a couple of moments in the show which sometimes cause a strong response from sensitive people. I try to tap into different emotional responses throughout the couple of hours or so Iím on stage: some of itís funny, sometimes you donít want to look, and in some parts are very tense and you can hear a pin drop. I think itís a very enjoyable ride. I hope it is.
Is it exactly the same show or can we expect a few surprise extras?
If anyone decides to come back again, I imagine thereíll always be things which go a little differently from night to night. Iím planning on tightening up a couple of things I felt may have been a little slow last year and seeing if I can improve anything of course, but itís essentially the same show. Certainly if anyone saw it last year and is coming back, they should realise itís the same show.
There are 42 dates on this tour. What do you do to relax between shows?
I tend to get bored and fidgety, wanting to get back on the road to do the next one. The buzz of a real audience, and knowing that youíre giving them a good show, make it hugely enjoyable. But I suspect this time Iíll be working on a book project.
So what else does the future hold for you?
Iím thinking about making the shows in America for the TV there, and I think Iíll be writing a book about it all. I get asked a lot about how I do it, and it would be good to be able to point people towards a fairly comprehensive book that would help. Iím also looking into an exhibition of my portraits (a hobby which has now become more serious: thereís a gallery on www.derrenbrown.co.uk), and imagine Iíll be buying a lot more rubbish off E-bay.
© Channel 4/MagicWeek 2006