Fifty Greatest Magic Tricks
Produced by Objective Productions for Channel 4 Television (UK)

6th May, 2002

Reviewed by Ian Rowland

 

There was a great deal to enjoy in this compilation of superlative magical excellence, and the show was a great and golden credit to its makers. The magical content was almost uniformly superb, and all but the most obsessive magic fans will have seen items they hadn't seen before.

In some respects, the show's excellence is understandable. It was produced by the Objective Productions team, who also produce the Derren Brown TV specials and the award-winning Quick Trick show (aimed at children but with much to offer magic fans of any age). Given that this team involves people like Andrew O'Connor, Anthony Owen and Marc Paul (as a consultant), there can be no question of their commitment to bringing the very best of magic to the TV audience. It would be impossible to overstate the amount of time, sweat, love and devotion that was obviously lavished on this project - choosing the items (with help from a Magic Circle poll), obtaining the footage, conducting interviews in the UK and in the US, and then editing all the pieces into a 2 hour package. O'Connor and his hard-working team are deserving of the highest praise for their endeavours (and I'm not just saying this because they took the aberrant decision to include me in it somewhere).

Regrettably, this devoted, talented and magic-loving production team have to work within the asinine constraints of the contemporary UK TV industry. Hence this treasury of magical delights had to be contaminated with dismal interruptions from so-called 'comedians' with no knowledge of the subject, nothing to say, and nothing to contribute. I can understand the inclusion of intelligent entertainers such as Jeremy Dyson and Reece Shearmsith, who have a genuine interest in magic and, as such, had something to offer. However, it is greatly to be regretted that the show had to be littered with asinine and ignorant comments from the likes of Jenny Eclair (one of the least amusing people ever to draw breath), Donna McPhail and others who evidently had nothing to say worth the saying. Shown footage of the wonderful Pendragons, and their stunning version of 'Metamorphosis', Ms. Eclair could only muster comments about Charlotte Pendragon which were base, tasteless and offensively insulting.

The show was hosted by 'Adam and Joe', a dismal pair of so-called 'comedians' opening and closing each segment with supposedly 'funny' sketches. Their contributions were an unmitigated disaster of wretchedly witless time-wasting imbecility. Supercilious TV suits are prone to trot out the all-purpose excuse that 'humour is subjective'. That may be so, but crass and unfunny stupidity is not - it is plain as a pikestaff and a waste of everyone's time. With regard to this feeble pair's linking 'sketches', the regrettable inability of anyone involved to exercise one iota of quality control seriously dented the show's appeal. I've no idea how much Adam and Joe got paid, but it was too much.

The presence of these allegedly comic ignoramuses would have mattered less if time had not been so precious. The 2 hour show included the mandatory 18 minutes of commercials and trailers, and 8 minutes of Adam and Joe. Guy Hollingworth's beautiful, elegant performance of The Reformation was awarded less than a minute, and suffered by severely uncharitable editing. Richard Ross performing the Linking Rings, one of the most captivating and artistic sights in magic, was only worth 40 seconds. Penn & Teller's double bullet catch was so truncated as to be rendered virtually impossible to follow. There were many similarly frustrating instances of delightful material being suffocated to make way for the 'funny' links. I do not blame O'Connor or any of his brilliant and diligent team. They just have to play the system, and appease the Channel 4 marketing department. But it's no less a shame for all that.

What of the Top 50 itself? Naturally, there can never be a definitive 'Top 50' list of tricks, and the controversy is part of the fun. In any case, the show would more fairly have been titled 'The Fifty Greatest Magic Tricks of which there is some video tape we could get the rights to, missing out the ones which are good but just don't work on TV'.

Nonetheless, some decisions furrow the brow more than others - how can you end up with three slots for the Amazing Jonathan (twice doing nothing more than demonstrating a prop) and none for, say, Fred Kaps? Why the noticeable bias in favour of large stage/TV illusions, many of which we know can be summed up as 'watch what this piece of apparatus can do', and so little of the world's best close-up magic? Not only do many laymen admire the skill and artistry of good close-up more than 'big box tricks', but television is the one medium which can showcase skilled close-up to best advantage. When a show can find room for James Hydrick, who barely qualifies as a magician at all, but not for the conspicuous excellence of Ricky Jay, Channing Pollock, Rene Lavand, Dai Vernon, Slydini, Falkenstein & Willard, Steve Forte and (insert your own hero's name here), one can only wonder what factors were at work. Blame the Magic Circle voters? Blame the producers? We will never know. Anyway, here's the full list.

50. Franz Harary, Vanishing Space Shuttle (1994)
49. Juan Tamariz, Four Blue Cards (1996)
48. Shahid + Lisa Malik, Sword Box (1991)
47. Guy Hollingworth, The Reformation (1997)
46. Harry Blackstone Jnr., Vanishing Bird Cage (1987)
45. Mark Mottram, Thumb Tie / Sword (2000)
44. Penn & Teller, Truck Trick (1990)
43. Meir Yedid, Fingertip Fantasies (1985)
42. Derren Brown, Subway Hypnosis (2001)
41. Melinda Saxe, Drill of Death (1999)
40. Paul Zenon, Snooker Card Trick (2000)
39. Spoon Bending (Amazing Jonathan, Geller, Rowland)
38. Stevie Starr, Goldfish Regurgitation (1992)
37. Fay Presto, Bottle Thru Table (1996)
36. Lance Burton, Osmosis (1997)
35. Robert Gallup, Straitjacket Escape (2000)
34. James Hydrick, PK Page Turning (1980)
33. Penn & Teller, Cut & Restored Snake (1991)
32. Paul Daniels, Electric Chairs (1989)
31. Great Soprendo (Geoffrey Durham) Torn & Restored Newspaper (1982)
30. David Berglas, Levitating Dancing Table (1981)
29. Amazing Jonathan, The Skewer (2001)
28. Tommy Cooper, Multiplying Bottles (1967)
27. Paul Zenon, Tax Disc (2000)
26. Derren Brown, Art Gellery Prediction (2000)
25. Paul Daniels, Vanishing TV Camera (1984)
24. Amazing Jonathan, Knife Thru Arm (1996)
23. David Berglas, Pulse Stopping (1986)
22. Siegfried & Roy, Interlude (1994)
21. Simon Drake, Swords Illusion (1990)
20. Ishamuddin, Indian Rope Trick (1999)
19. Derren Brown, Blair Witch Illusion (2000)
18. Robert Gallup, Death Dive (1996)
17. Amazing Orchante, Ball of String (1987)
16. Siegfried & Roy, Vanishing / Reappearing Elephant (1994)
15. Simon Drake, Guillotine (1992)
14. Lance Burton, Rollercoaster Escape (1999)
13. Harry Blackstone Jnr., Floating Lightbulb (1977)
12. David Blaine, Card In Window (undated)
11. Penn & Teller, Double Bullet Catch (1996)
10. Hans Moretti, Crossbow (1995)
9. Richard Ross, Linking Rings (1983)
8. Paul Daniels, Chop Cup (1985)
7. Tom Mullica, Cigarette Eating (1996)
6. David Copperfield, Flying (1995)
5. Robert Harbin, Zig-Zag Girl (1965)
4. Lance Burton, Doves (1982)
3. The Pendragons, Metamorphosis (undated)
2. David Blaine, Levitation (undated)
1. David Copperfield, Death Saw (1995)

Ian Rowland.

Ian Rowland 2002

 

www.ian-rowland.com

 

Back

 

www.magicweek.co.uk